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Moving Image
Go Forth O Daughters
5 channel, stop motion animation, 00:06:30, 2024
This site-specific work includes a series of stop motion animations that interact with objects from the Amsterdam museum archive. At the center of the installation lays a 18th century book, "Tsenerene," known as the Yiddish bible for women. Intimately connected with the rise of press capitalism, the book was read by millions of women for generations and is still very popular among orthodox Jewish women. And yet, there is hardly any discussion of it as a foundational text. The stop motion brings to the space the voices of its readers and is used as a tool to imagine their collective presence. The figures in the animations are composed from texts taken from several Tsenerene editions, indicating a chain of transmission that stretches from 17th c. Amsterdam to 21st c. New York and invites reflection on the relation between the non-material digital art and the concrete archival object that inspired it.
Installation

Two Pieces

Go Forth O Daughters

Communion of Empty Mouths

Pasa Punto

Two Pieces and a Tiny Dot

A Stone from a Wall

The Precious Stones

Memories of a Stone

What's Gone Is Gone

There's a Crack
2D

Bird no. 3
21" x 32" oil on paper, monotype and embossment

ZVEE ZVEE (for Rosa)
20*32 oil on hand made cotton and abbca paper

Untitled ( œ), 2024
22" x 33" oil on paper

Untitled (f),
2024 22" x 33" oil on paper, glazed ceramic

Untitled (e), 2024
22" x 33" oil on paper

Untitled (r), 2024
22" x 33" oil on paper, glazed ceramic

Untitled ( a ), 2024
22" x 33" oil on paper

Untitled ( ɒ ɑ), 2024
22" x 33" oil on paper

Untitled (r) II , 2024
22" x 33" oil on paper, glazed ceramic

Fragments of a Greater Language: no. 2
30*16 cm ceramic
A detail from a series
2022
30*16 cm ceramic
A detail from a series
2022

Only When I'm Beautiful
Ink on paper, glass 17*24 cm
A detail from an etching series
June 2020
These prints are inspired by family photos from which a person was removed. The glass reframes a new image and draws attention to what is included in the frame and what’s not.
Ink on paper, glass 17*24 cm
A detail from an etching series
June 2020
These prints are inspired by family photos from which a person was removed. The glass reframes a new image and draws attention to what is included in the frame and what’s not.

Hauntology no. 1
Ink on paper, glass 17*24 cm. A detail from an etching series June 2020
These prints of landscapes are inspired by a silhouette of a family photo from which a person was removed. A dreamy landsacape apears instead of the missing part.
The glass reframes a new image and draws attention to what is included in the frame and what’s not.
Ink on paper, glass 17*24 cm. A detail from an etching series June 2020
These prints of landscapes are inspired by a silhouette of a family photo from which a person was removed. A dreamy landsacape apears instead of the missing part.
The glass reframes a new image and draws attention to what is included in the frame and what’s not.

Hauntology no. 5
Ink on paper
17*24 cm
A detail from an etching series
Ink on paper
17*24 cm
A detail from an etching series

Hauntology no. 8
Ink on paper
17*24 cm
A detail from an etching series
Ink on paper
17*24 cm
A detail from an etching series
Performances

Two Pieces

Rhapsody for Ten Fingers, Light and Voice

It is Solved by Walking (2)

Solvitur Ambulando
(It is Solved by Walking)

Meet Me at the Entrance

Must See

The Crystal Palace
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